Supercollider youtube7/27/2023 ![]() ![]() I will surely be thinking about how to use this powerful real-time capacity as of now. ![]() Seeing the notes added by SuperCollider is easy with the red colored keys and there is no risk of collision with the fingers as Dan Tepfer has to avoid with the Disklavier being physically played… Pianoteq records everything (what is played and what SuperCollider adds) and I find it much simpler to use one standalone Pianoteq than to work with multiple instances inside a DAW.Īnd I did not even boot the very powerful synth generator that can add to Pianoteq’s playing, I just used the language. My point with this topic is that real-time interaction with SuperCollider and the standalone version of Pianoteq works very well and adds a lot of capabilites. ![]() I used a 0.3 second delay but for instance, with a delay of 0 you can play huge block chords by repeating notes on all octaves… ![]() Of course, I’m no Dan Tepfer, but I was also surprised at times at the resulting inverted sections. Third part of our livecoding FoxDot and SuperCollider tutorials, Episode 10, a better understanding of the menus and the interface. This is quite simple to program and here is some of my tone colour rambling with it on Pianoteq’s Bechstein, ending with a mirrored chromatic scale: In this other video ( ) at around 2:30, he demonstrates a much simpler program where every note is slightly delayed and inverted around a pivot note while he plays with the interaction. Yes, Dan Tepfer is an incredibly talented and inventive artist! Just to have the idea to draw in real-time 3D versions of the Lissajous curves for his left hand chords is incredible and beautiful in itself! I just watched the video - absolutely amazing Gilles. Here is the resulting simple audio example: įor much more interesting examples and a great introduction see: (It uses the internal IAC bus on the Mac for MIDI communication I don’t know what would be the equivalent for Windows or Linux) Here is the simple Supercollider program I wrote: It opens up quite a lot of possibilities I think! With a specified delay of 3 seconds, I just play the melody and Pianoteq follows by itself an octave higher… Live-coding with SuperCollider tweets (session 22) (exclusive earslap tweets) Kosmas Giannoutakis 67 subscribers Subscribe 0 Share Save 1 waiting Scheduled for SuperCollider tweets. If he can do this with a Disklavier, why not with Pianoteq, and indeed, with a very simple program I can play with myself a simple canon to the octave, the well-known Frère Jacques. So, we have to ride up the ramp, jump, and dunk a ball mid-air through a basketball hoop thats on top of an ice cream van thats definitely a. He uses SuperCollider (see ) for controlling his piano, a free and powerful development environment for generating software synthesizers and algorithmic music via an object-oriented interpreted programming language. He does incredible things by interacting via software with his Yamaha Disklavier and also generating very interesting and fascinating visual output from his music. Pbind(\type, \rest, \dur, Pfuncn(,m).I recently discovered pianist Dan Tepfer’s Natural Machine project ( see ). Director Jeffery Scott Lando Writers Phillip J. at the last occurrence, trigger in parallel, while playing, a "\off" message on the mixer to release it Provided to YouTube by Beggars Group Digital Ltd. Voici mon premier projet de programmation audio dune composition algorithmique sur SuperCollider 890 lignes de code plus tard et me voici. Action Adventure Drama When the largest particle collider ever built suffers a catastrophic malfunction, it opens an alternate dimension and causes a series of cataclysmic events that threaten the entire human species. A pattern, which output is the audio bus and that must be placed **before**the mixer The collider would take over 16,000 acres of land with a tunnel fourteen feet in. A mixer that will push the Synths output to a physical output The projected cost of construction was 6 billion and the SSC would cost roughly 600 million a year to operate. An audio bus that will receive the Synths output How would I do this, so that it does not end abruptly?įor example, instead of sending your Synths to the bus 0, you could send them to a separated “Mixer” Synth with a nice release time that you could release while playing your pattern.Į.g. Supercollider Año 2013 País Canadá Dirección Jeffery Scott Lando Guion Phillip J. ![]()
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